“Classical Haiku”
evening walk
even in the cold snap –
plants blossom
old sea-gull
creeling and fighting
– his old age
winter oasis
palms bend under the snowfall
– for one afternoon
© G.s.k. ‘16
Heeding Haiku With Chèvrefeuille, February 3rd 2016
“I love to challenge you to write a classical haiku, which means you have to follow a few classical rules:
1. Your haiku must be the “impression” of a short moment, as short as the sound of a pebble thrown into water;
2. Your haiku has a “kigo” (or seasonword) in it;
3. You also have to use a “kireji” (or cuttingword, like e.g. “;” or “!”);
4. You have to use the classical count 5-7-5 or 3-5-3;
5. Your first and last line have to be interchangeable;
6. Last, but not least, try to catch a deeper meaning in your haiku.”
I like the image of snow on palms. Surprising.
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It really is surprising! Here’s a photo taken January 2015: https://bastetandsekhmet.files.wordpress.com/2015/01/close-upsnow_small_2.jpg
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Lovely series cara especially the last one relates to climate changes
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Well in a way … in the sense that I live in what’s called a micro climate area .. a sort of oasis – caused by a combo of the mountains that create our valley and the lake which keeps our temps up … I’m not sure how it works (I’ll look it up) so we get palms, lemons and generally trees and plants from warmer climates that cannot survive even 10 kilometres away from us (except the lake zone itself) but sometimes the temps drop low enough so that we get a snow fall … which only lasts a day or two at most.
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What a beautiful place to live !
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Yes … I’ve really very lucky … well I did choose the place so luck has little to do with it actually 😉
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Smart cookie then;-)
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😉 Might be smarter still to find a tropical island with a year round springtime climate!
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I do like San Francisco weather but way too expensive but I’m open to check other places …maybe live in a commune that would be less expensive 😉
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I don’t know much of San Francisco myself .. but can imagine it is expensive … where do they have communes I wonder, might be an idea.
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Sympathise with the seagull. And love the incongruity of snow on a palm tree! Read the comments so realise it happens seldom. 🙂 Really well done.
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Thanks … I think we can all feel for the seagull at least every once and a while as for snow, actually we kind of look forward to a few days of snow .. but the fascination passes quickly 😉
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I love the line, “for just one day” Beautiful series.
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Thanks Carol … I’m pleased you liked it!
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You’re welcome!
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I really enjoyed all these – particularly the second one. For me, it is the one that best captures Chevrefeuille’s last classical rules.
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Thanks Suzanne .. I see what you mean .. it’s more of an impression than the other two which are more descriptive perhaps … on the other hand it seems to lack a kigo – what do you say?
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I’m the wrong person to ask about technique – I feel a bit like I’m wading through quick sand when it comes to technique at the moment. I’m still confused as to whether what I write even counts as a haiku half the time. I just liked the open ended feel of your last haiku – it made me start thinking of the deeper implications of your words. I guess that’s the bottom line for me – regardless of technique what moves in is a haiku that has a deeper layer of meaning.
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It sounds to me you described very nicely what a goo haiku is (I though it was the second one you liked best 😉 ) as for what is a true haiku … I think that is a useless preoccupation. We in the west can write one of the forms of English haiku (or Italian or Dutch ect.) But we won’t be writing a true haiku … because we can’t follow the rules created by the Japanese for their poem… The writers of haiku over the decades have argued among themselves as to what is a true haiku … and have become rather heated about the thing too. I’m not going to get huffed because someone thinks I shouldn’t write 5-7-5 or 3-5-3 or long short long or whatever … the whole kigo thing is absolutely absurd at times .. what does a certain kind of grass have to do with my country where that grass doesn’t grow! No I agree with you .. if it moves – if it makes you stop short – if it speaks to you – it’s a haiku.
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Such a carefully thought out comment. Thank you – you have expressed brilliantly what I intuitively feel. I find kigo words weird – they rarely correspond with the seasons in Australia. We hardly ever have snow apart from in the highest mountains for example. Your comment is a wonderful conclusion to the discussion I got embroiled in this week.
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Thanks … so sorry you had that run-in. I’m afraid that when we start attaching ideology to things we tend to become intransigent and emotionally involved – here there actually shouldn’t have to be something to defend .. we’re talking apples and oranges …
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All water under the bridge now – which weirdly enough was the theme of my haibun which started all the fuss. I’ve deleted everything to do with the post and all the cmments it provoked. I return to the internet writing a great deal wiser.
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Happy that the storm left you without damage … here’s to wisdom!
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I must admit I am still a bit shaken up by it but am getting clearer with every passing day.
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Glad to hear that, really.
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It is often odd when out of the ordinary weather bends plants, or has them blooming too early. 🙂
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Hello Jules … yes it is and in our valley both happen relatively often. We were having flowers blossoming late do to the odd heat this year … as for the snow on the palms I posted some photos last year of the snow fall in Arco … lasted if I recall maybe two days.
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Very classical feel…all haiku just snap!
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Thanks Humbird .. I like writing the classical haiku from time to time.
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