old willow is gone
it can never be replaced
these empty tears
fall down my cheeks unchecked
remembering summer shade
© G.s.k. ‘16
4. Conviction of feeling – ushintei
This is Teika’s most famous poetical ideal; one that he most developed in his middle and later years. Over this time he came to give ushin two distinct senses. One, in the narrow sense of “deep feeling” as one of the ten styles and in the broader sense of “conviction of feeling” – the quality that must be part of every good poem. Teika felt this could not be an adopted “style” but could result only if the poet “approached the art with the utmost seriousness and concentration”. These strong words of stubborn and uncompromising demand were typical of Teika’s goal of the highest stand of artistic integrity.
Another interpretation of the style is that it uses a highly subjective sense in which the speaker’s feeling pervade the imagery and rhetoric of the poem. It is especially appropriate for poems expressing love or grief.
Given as example is this poem by Princess Shikishi, #9:1034 in the Shinkokinshū:
tama no o yo / taenaba taene / nagaraeba / shinoburu koto no / yowari mo zo suru
jewel of my soul
threaded on the string
that should break
how to endure these things
I am getting weaker
Carpe Diem Tokubetsudesu #66 Teika’s Ten Tanka Techniques by Jane Reichhold
Great interpretation of the style —
🙂
LikeLiked by 1 person
Thanks a fun exercise in the end … and I came across The World Kigo Database, which is also very interesting .. maybe I’ll finally understand something about kigo (well, one can dream) http://worldkigodatabase.blogspot.it/2006/01/moon-and-his-links.html
LikeLiked by 1 person
oh, this moon database will be very helpful!
i found other parts of the database but hadn’t explored the moon yet, so to speak 😉
LikeLike
Understand .. it’s really vast – not only the moon part of course. I have to admit though I have less problems with the classical Japanese kigo than with some of Jane’s kigo.
LikeLiked by 1 person